Showing posts with label sick day. Show all posts
Showing posts with label sick day. Show all posts

Saturday, January 29, 2011

The human condition

I have to dedicate a post to my roommate, who, upon hearing I was feeling under the weather, took it upon herself to learn how to make fresh ginger tea.  It is seriously the best thing in the world.  It tastes a little like ginger ale but with more bite.  Plus it's hot.  And there's lemon in it.  So, thanks, Omaira Galarza.  Now I'm not so scared to go see The Roommate with you.

I asked Omi what kind of poem she would like dedicated to her today.  She said something about the beach.  Then I found this poem and we both had a good chuckle over it:

The Beach in August

The day the fat woman
In the bright blue bathing suit
Walked into the water and died,
I thought about the human
Condition. Pieces of old fruit
Came in and were left by the tide.

What I thought about the human
Condition was this: old fruit
Comes in and is left, and dries
In the sun. Another fat woman
In a dull green bathing suit
Dives into the water and dies.
The pulmotors glisten. It is noon.

We dry and die in the sun
While the seascape arranges old fruit,
Coming in and the tide, glistening
At noon. A woman, moderately stout,
In a nondescript bathing suit,
Swims to a pier. A tall woman
Steps toward the sea. One thinks about the human
Condition. The tide goes in and goes out.

-Weldon Kees*

*Note the last line in his bio: " It is not known whether he killed himself or went to Mexico."  Omi thinks he went to Mexico to lay out on the beach.

Wednesday, October 27, 2010

AMC's programming is neither classic nor movies. Discuss.

Well, I've been a bit under the weather lately, which is good for catching up on movies and rest but bad for productivity.  When I stayed home sick from high school, I would watch the classic movie channels and count it a lucky day if they were playing a Bob Hope, Doris Day, or Danny Kaye marathon.  More often than not, they were showing 1954's There's No Business Like Show Business with Ethel Merman and Marilyn Monroe. The music was all Irving Berlin and watching it, it was easy to forget I was sick.

Another stalwart in my sick day anthology was Anne of Green Gables.  What little girl has not seen this movie and identified with Anne (with an "e") Shirley?  Who didn't swoon when Gilbert Blythe got scarlet fever? Watching this classic was the first time I ever heard the poem, "The Highwayman."  Anne recites it at a luncheon and it's captivating.  Later in college, I was studying the Romantic poets and came across "The Highwayman" again.  The author, Alfred Noyes, was heavily influenced by the Romantics, like Tennyson and Wordsworth.  I printed out the poem and put it on my dorm room wall.  It is a masterful piece of writing and one of my favorites.  The rhythm is like a song, and the imagery is perfect for this Halloween season.  Enjoy.

The Highwayman

The wind was a torrent of darkness among the gusty trees,
The moon was a ghostly galleon tossed upon cloudy seas,
The road was a ribbon of moonlight over the purple moor,
And the highwayman came riding--
Riding--riding--
The highwayman came riding, up to the old inn-door.

He'd a French cocked-hat on his forehead, a bunch of lace at his chin,
A coat of the claret velvet, and breeches of brown doe-skin;
They fitted with never a wrinkle: his boots were up to the thigh.
And he rode with a jeweled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jeweled sky.

Over the cobbles he clattered and clashed in the dark inn-yard,
He tapped with his whip on the shutters, but all was locked and barred;
He whistled a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

And dark in the dark old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like moldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened, and he heard the robber say--

"One kiss, my bonny sweetheart, I'm after a prize tonight,
But I shall be back with the yellow gold before the morning light;
Yet, if they press me sharply, and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight, though hell should bar the way."

He rose upright in the stirrups; he scarce could reach her hand,
But she loosened her hair in the casement. His face burnt like a brand
As the black cascade of perfume came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet black waves in the moonlight!)
Then he tugged at his rein in the moonlight, and galloped away to the West.

He did not come in the dawning; he did not come at noon;
And out of the tawny sunset, before the rise of the moon,
When the road was a gypsy's ribbon, looping the purple moor,
A red-coat troop came marching--
Marching--marching--
King George's men came marching, up to the old inn-door.

They said no word to the landlord, they drank his ale instead,
But they gagged his daughter and bound her to the foot of her narrow bed;
Two of them knelt at her casement, with muskets at their side.
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement, the road that he would ride.

They had tied her up to attention, with many a sniggering jest.
They had bound a musket beside her, with the barrel beneath her breast.
"Now keep good watch!" and they kissed her. She heard the doomed man say--
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight, though hell should bar the way!

She twisted her hands behind her; but all the knots held good.
She writhed her hands till her fingers were wet with sweat or blood.
They stretched and strained in the darkness, and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it! The trigger at least was hers!

The tip of one finger touched it. She strove no more for the rest.
Up, she stood up to attention, with the muzzle beneath her breast.
She would not risk their hearing; she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins, in the moonlight, throbbed to her love's refrain.
Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear?
Down the ribbon of moonlight, over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming! She stood up, straight and still!

Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night!
Nearer he came and nearer! Her face was like a light!
Her eyes grew wide for a moment; she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight and warned him--with her death.

He turned; he spurred to the west; he did not know who stood
Bowed, with her head o'er the musket, drenched with her own red blood.
Not till the dawn he heard it, his face grew gray to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight, and died in the darkness there.

Back, he spurred like a madman, shouting a curse to the sky,
With the white road smoking behind him and his rapier brandished high!
Blood-red were his spurs in the golden noon; wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway, with the bunch of lace at his throat.

And still of a winter's night, they say, when the wind is in the trees,
When the moon is a ghostly galleon tossed upon cloudy seas,
When the road is a ribbon of moonlight over the purple moor,
A highwayman comes riding--
Riding--riding--
A highwayman comes riding, up to the old inn-door.
Over the cobbles he clatters and clangs in the dark inn-yard;
He taps with his whip on the shutters, but all is locked and barred;
He whistles a tune to the window, and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot into her long black hair.

-Alfred Noyes

Saturday, September 25, 2010

I cannot go to school today . . .

When I was in grade school, we had a closed-circuit TV morning program that was broadcast from the library.  Somehow, I don't even remember why, I got the chance to read a poem during the program.  I was all excited because they let me pick any poem I wanted (and I got to be late to class).  I was going to share my poetry-reading skills with the world!  The other kids would watch and marvel at my knowledge of the written art.  They would point and say, "Hey, that's Lisa.  I never knew she could read poetry so well!" And after it was over, I would return to class, and my classmates would swarm me and ask for my autograph.

So which poem to choose?  It was a no-brainer.  I reached for old faithful, my copy of Where the Sidewalk Ends.  I made the perfect selection, I just knew it.  It really spoke to my audience and the issues important to them today: 

Sick
"I cannot go to school today,"
Said little Peggy Ann McKay.
"I have the measles and the mumps,
A gash, a rash and purple bumps.
My mouth is wet, my throat is dry,
I'm going blind in my right eye.
My tonsils are as big as rocks,
I've counted sixteen chicken pox
And there's one more--that's seventeen,
And don't you think my face looks green?
My leg is cut--my eyes are blue--
It might be instamatic flu.
I cough and sneeze and gasp and choke,
I'm sure that my left leg is broke--
My hip hurts when I move my chin,
My belly button's caving in,
My back is wrenched, my ankle's sprained,
My 'pendix pains each time it rains.
My nose is cold, my toes are numb.
I have a sliver in my thumb.
My neck is stiff, my voice is weak,
I hardly whisper when I speak.
My tongue is filling up my mouth,
I think my hair is falling out.
My elbow's bent, my spine ain't straight,
My temperature is one-o-eight.
My brain is shrunk, I cannot hear,
There is a hole inside my ear.
I have a hangnail, and my heart is--what?
What's that? What's that you say?
You say today is . . . Saturday?
G'bye, I'm going out to play!" 

Well, my big moment was close at hand. I was sitting at a table off camera next to the "news desk." The girls who were reading the morning announcements said, "And now it's time for your weekly poem. Today's selection will be read by Lisa Di Trolio. What poem do you have for us today, Lisa?"

The camera creaked over to me.  It felt like a thousand eyes aimed directly at my head.  Sudden stage fright hit.  I went into survival mode.  The only way to get out of this was quickly and efficiently.  So I read the whole thing like this:

"SickbyShelSilversteinIcannotgotoschooltodaysaidlittlePeggyAnnMcKayIhavethemeaslesandthemumpsagasharashandpurplebumps . . .

Later I slinked back to class, hoping and praying that everyone had chosen that moment to go to the bathroom. 

Even later, for some reason they asked me to appear back on the morning show.  Maybe I was the only kid who read poems in that school?  It was a chance to redeem myself.  I took a few notes from the director and A.D. (i.e. a teacher who was volunteering and my mother who was the room mother that day).  I like to think that I redeemed myself, but honestly my mind has blocked it out. 

Mom, can you shed some light on this?